A classic with a twist
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Sunrizer is built upon a familiar subtractive synth design – but with a distinct character and a host of unique features. It starts with two oscillators and two sub-oscillators that deliver all of the basic waveforms and a perfect emulation of JP-8000 “supersaw”, with pulse width, frequency and ring modulation plus a lush unison mode. The oscillators are fed into two powerful filters with serial or parallel routing, offering traditional low-, high- and band-pass modes as well as comb, resonator, waveshaper, and frequency shifter algorithms – and more. To set all this in motion, Sunrizer has two ADSR envelopes and two LFO generators that can modulate virtually any parameter.
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Master of effects
Sunrizer has a very flexible effects section which boasts an input crossover filter that lets you apply them only on a specific part of the spectrum. There is a total of four effect modules – the first includes silky-smooth chorus, phaser and rotor algorithms alongside distortion, followed by stereo delay, two-band equalizer and a spacious and highly tuneable reverb. Yet with all this power Sunrizer still keeps the processor load low, thanks to heavy code optimizations.
Powerfully live
Where the Sunrizer’s sound engine ends, the fun only starts. First off, each patch has two sets of parameters and the synth lets you morph between them – as smoothly or as wildly as you wish. Sunrizer also sports an arpeggiator that has fully programmable sequences and supports per-note transposition and randomization – together with chord memory it allows you to create elaborate yet finely controllable single- or multi-finger passages.
Polished simplicity
Despite such an extensive feature list, Sunrizer has a single-screen design with finely crafted graphics that especially look gorgeous on Retina screens. All of its building blocks are logically arranged and easily accessible, with each individual parameter carefully calibrated. This lets Sunrizer give you a mix of utter pleasure and great productivity that is lacking in most unnecessarily overcomplicated synths.
Specifications
- Bespoke synth engine with 24 voice polyphony and very low processor load.
- Two oscillators with multiple waveform types, hard-sync, pulse width modulation.
- Oscillator mixer with ring modulator and separate noise source.
- Per-oscillator unison function with variable detune and spread.
- Two separate filter units with serial or parallel operation and 16 different algorithms each: low-, high- and band-pass, notch, comb, formant I/II, all-pass, power low- and band-pass, waveshaper, resonator, resampler, low-pass + resampler, frequency shifter, analog low-pass.
- Two ADSR envelope generators.
- Two LFO generators with sine, triangle, saw, square, sample & hold and random waveforms; variable phase, fade-in time and different trigger modes.
- Master effects including chorus, phaser, rotor, EQ, delay and reverb.
- Arpeggiator with deep sequencing capabilities.
- Chord memory function.
- A-B parameter morph feature: essentially two synth patches in one.
- Factory sound bank with over 400 preset patches; full patch compatibility with the iPad version.
Introducing: Bespoke!
Bespoke is a software modular synthesizer. It contains a bunch of modules, which you can connect together to create sounds.
Bespoke is like a DAW* in some ways, but with less of a focus on a global timeline. Instead, it has a design more optimized for jamming and exploration.
Bespoke is a project I started in 2011 as a way for me to learn more about creating music. Instead of putting in the time to learn the intricacies of an existing DAW, I took on a foolhardy exercise to try to build my own. The software is custom built by me and for me, hence the name 'Bespoke'.
Bespoke's core design is to break everything into separate modules that can be patched together in a custom layout, much like a hardware modular. Bespoke is designed to be highly customizable, with the idea that any of the custom layouts that you create will be 'bespoke' to you as well.
Synthesizer Program
In a way, Bespoke is like if I smashed Ableton to bits with a baseball bat, and asked you to put it back together.
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*('DAW' means 'digital audio workstation', which is a fancy term for music production software)